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Nowa treść strony, po modyfikacji (new_wikitext) | 'During this time, Kama has worked on several creative and research projects each exploring the potential of artistic practices as resistance to colonial violence. since 1990 where he operates his production company Northlight Pictures and continues his visual arts practice. In addition to her art practice Devine is an associate professor and the Founding Chair of the Indigenous Visual Culture program at OCAD University. MAAIINGAN Productions led by David Shilling is an Indigenous web-developer, video production company, graphic design firm, and online publisher of MUSKRAT Magazine. MAAIINGAN began working with Uncover/Recover from late fall 2017, recording the project for an upcoming documentary video. MAAIINGAN took on the task of managing the convergence of many disparate components and media onto one complex website. They worked with us tirelessly to put the site together, helping us to stay on target and keeping the project moving forward through the many challenges we faced along the way. We are grateful that they always kept their cool during the production of this multi-faceted project.<br><br>Charlie Wall-Andrews is a Trudeau Scholar, music industry leader, and faculty member at the University of Toronto. In her role as Executive Director at SOCAN Foundation, she established many programs such as the Creative Entrepreneur Incubator and Equity X Production Development Program which prepares artists to turn their passion and talent into a sustainable career. She is a Ph.D. student in Management at Ted Rogers School of Management, where she specializes in strategy, innovation, and entrepreneurship and conducts research at the Diversity Institute at Ryerson. She is on the Board of Directors of WorkInCulture, and TELUS Community Investment Board, and is the inaugural Vice-Chair of Music Canada’s Advisory Council. In 2019, she was appointed a global Legacy Fellow for [https://electriques.ca/filles/fr/artiste/lamackerel_ka https://electriques.ca] the Ariane de Rothschild Fellowship, a prestigious initiative of The Edmond de Rothschild Foundations. Charnjot Shokar is a Communications professional who has been working as a Researcher for the Communications Governance Observatory since 2017.<br>Some Lgbtq Activists Say Film Ignores Role Of Black Trans Woman Marsha P Johnson<br>My Body Is the Ocean is a collection of lyric poems that braid together voices across lineages of Mauritian women, femmes, spirits and goddesses. Seeking healing from the trauma of plantation heritage, Kama La Mackerel uses her poetry to find new languages of love with which to repair the severed relationships of her family and her ancestries. Oscillating like waves between ocean & island, past & present, childhood & adulthood, rage & forgiveness, family history & colonial history, My Body Is the Ocean is a painful yet celebratory journey into a trans femme identity that refuses to be defined and confined to colonial gender narratives. Wendy Whaley received an MFA in Interdisciplinary Art Media and Design from OCADU in 2018 where she originally graduated from New Media / Integrated Media in 1996. Wendy has spent the past 20 years in the visual effects end of the film industry where she has worked at some of the top companies, including IMAX, Digital Domain, Cinesite UK, Relativity Media and many others.<br><br>Ayanna Blackwas a fierce defender of Black Canadian culture and its production and dissemination. She believed we as Black Canadians have stories to tell about ourselves and relentlessly created spaces in which we could celebrate our joys. Although eyewitness accounts cite black, trans activist Marsha P. Johnson as the instigator of the riot, the trailer for Stonewall seems to give a fictional, white, cisgender character named Danny with a key role in starting the riots. UN/FREEZE is a 3-D installation that Kama La Mackerel created in November 2016 through an interactive 3-hour durational performance piece.<br>Honesty Is Dangerous Policy<br>In 2008, Kama moved to Canada where they completed an MA in Theory, Culture and Politics at Trent University while training in physical theatre with Theatre Korzenie. My life’s work emerges from a concern for justice and an imperative to heal from colonial pasts. I reimagine and reformulate languages of the self in order to offer "a countermemory, for the future" .<br>They often use their social media platforms to criticize transphobic elements of modern feminism and encourage acceptance of gender nonconformity.Amber was previously employed as Programme Coordinator for Turtle Island Conservation at the Toronto Zoo where her work was focused on community outreach and education, and integrating traditional and western science in her approach to conservation and stewardship.The cities I chose are Beirut, Saida and Trablous in Lebanon, Rhodes, Thessaloniki and Corfu in Greece, Larnaka in Cyprus and Shkoder and Durres in Albania.Occupy Spacetaps into other-worldly imaginaries to address the social reality of Canadian diversity.It snowballed from there, and I eventually started doing presentations and going into churches where they didn’t want to talk about sex or AIDS or anything, especially in the Bible Belt.' |
Diff wszystkich zmian dokonanych podczas edycji (edit_diff) | '@@ -1,0 +1,1 @@
+During this time, Kama has worked on several creative and research projects each exploring the potential of artistic practices as resistance to colonial violence. since 1990 where he operates his production company Northlight Pictures and continues his visual arts practice. In addition to her art practice Devine is an associate professor and the Founding Chair of the Indigenous Visual Culture program at OCAD University. MAAIINGAN Productions led by David Shilling is an Indigenous web-developer, video production company, graphic design firm, and online publisher of MUSKRAT Magazine. MAAIINGAN began working with Uncover/Recover from late fall 2017, recording the project for an upcoming documentary video. MAAIINGAN took on the task of managing the convergence of many disparate components and media onto one complex website. They worked with us tirelessly to put the site together, helping us to stay on target and keeping the project moving forward through the many challenges we faced along the way. We are grateful that they always kept their cool during the production of this multi-faceted project.<br><br>Charlie Wall-Andrews is a Trudeau Scholar, music industry leader, and faculty member at the University of Toronto. In her role as Executive Director at SOCAN Foundation, she established many programs such as the Creative Entrepreneur Incubator and Equity X Production Development Program which prepares artists to turn their passion and talent into a sustainable career. She is a Ph.D. student in Management at Ted Rogers School of Management, where she specializes in strategy, innovation, and entrepreneurship and conducts research at the Diversity Institute at Ryerson. She is on the Board of Directors of WorkInCulture, and TELUS Community Investment Board, and is the inaugural Vice-Chair of Music Canada’s Advisory Council. In 2019, she was appointed a global Legacy Fellow for [https://electriques.ca/filles/fr/artiste/lamackerel_ka https://electriques.ca] the Ariane de Rothschild Fellowship, a prestigious initiative of The Edmond de Rothschild Foundations. Charnjot Shokar is a Communications professional who has been working as a Researcher for the Communications Governance Observatory since 2017.<br>Some Lgbtq Activists Say Film Ignores Role Of Black Trans Woman Marsha P Johnson<br>My Body Is the Ocean is a collection of lyric poems that braid together voices across lineages of Mauritian women, femmes, spirits and goddesses. Seeking healing from the trauma of plantation heritage, Kama La Mackerel uses her poetry to find new languages of love with which to repair the severed relationships of her family and her ancestries. Oscillating like waves between ocean & island, past & present, childhood & adulthood, rage & forgiveness, family history & colonial history, My Body Is the Ocean is a painful yet celebratory journey into a trans femme identity that refuses to be defined and confined to colonial gender narratives. Wendy Whaley received an MFA in Interdisciplinary Art Media and Design from OCADU in 2018 where she originally graduated from New Media / Integrated Media in 1996. Wendy has spent the past 20 years in the visual effects end of the film industry where she has worked at some of the top companies, including IMAX, Digital Domain, Cinesite UK, Relativity Media and many others.<br><br>Ayanna Blackwas a fierce defender of Black Canadian culture and its production and dissemination. She believed we as Black Canadians have stories to tell about ourselves and relentlessly created spaces in which we could celebrate our joys. Although eyewitness accounts cite black, trans activist Marsha P. Johnson as the instigator of the riot, the trailer for Stonewall seems to give a fictional, white, cisgender character named Danny with a key role in starting the riots. UN/FREEZE is a 3-D installation that Kama La Mackerel created in November 2016 through an interactive 3-hour durational performance piece.<br>Honesty Is Dangerous Policy<br>In 2008, Kama moved to Canada where they completed an MA in Theory, Culture and Politics at Trent University while training in physical theatre with Theatre Korzenie. My life’s work emerges from a concern for justice and an imperative to heal from colonial pasts. I reimagine and reformulate languages of the self in order to offer "a countermemory, for the future" .<br>They often use their social media platforms to criticize transphobic elements of modern feminism and encourage acceptance of gender nonconformity.Amber was previously employed as Programme Coordinator for Turtle Island Conservation at the Toronto Zoo where her work was focused on community outreach and education, and integrating traditional and western science in her approach to conservation and stewardship.The cities I chose are Beirut, Saida and Trablous in Lebanon, Rhodes, Thessaloniki and Corfu in Greece, Larnaka in Cyprus and Shkoder and Durres in Albania.Occupy Spacetaps into other-worldly imaginaries to address the social reality of Canadian diversity.It snowballed from there, and I eventually started doing presentations and going into churches where they didn’t want to talk about sex or AIDS or anything, especially in the Bible Belt.
' |
Linie dodane podczas edycji (added_lines) | [
0 => 'During this time, Kama has worked on several creative and research projects each exploring the potential of artistic practices as resistance to colonial violence. since 1990 where he operates his production company Northlight Pictures and continues his visual arts practice. In addition to her art practice Devine is an associate professor and the Founding Chair of the Indigenous Visual Culture program at OCAD University. MAAIINGAN Productions led by David Shilling is an Indigenous web-developer, video production company, graphic design firm, and online publisher of MUSKRAT Magazine. MAAIINGAN began working with Uncover/Recover from late fall 2017, recording the project for an upcoming documentary video. MAAIINGAN took on the task of managing the convergence of many disparate components and media onto one complex website. They worked with us tirelessly to put the site together, helping us to stay on target and keeping the project moving forward through the many challenges we faced along the way. We are grateful that they always kept their cool during the production of this multi-faceted project.<br><br>Charlie Wall-Andrews is a Trudeau Scholar, music industry leader, and faculty member at the University of Toronto. In her role as Executive Director at SOCAN Foundation, she established many programs such as the Creative Entrepreneur Incubator and Equity X Production Development Program which prepares artists to turn their passion and talent into a sustainable career. She is a Ph.D. student in Management at Ted Rogers School of Management, where she specializes in strategy, innovation, and entrepreneurship and conducts research at the Diversity Institute at Ryerson. She is on the Board of Directors of WorkInCulture, and TELUS Community Investment Board, and is the inaugural Vice-Chair of Music Canada’s Advisory Council. In 2019, she was appointed a global Legacy Fellow for [https://electriques.ca/filles/fr/artiste/lamackerel_ka https://electriques.ca] the Ariane de Rothschild Fellowship, a prestigious initiative of The Edmond de Rothschild Foundations. Charnjot Shokar is a Communications professional who has been working as a Researcher for the Communications Governance Observatory since 2017.<br>Some Lgbtq Activists Say Film Ignores Role Of Black Trans Woman Marsha P Johnson<br>My Body Is the Ocean is a collection of lyric poems that braid together voices across lineages of Mauritian women, femmes, spirits and goddesses. Seeking healing from the trauma of plantation heritage, Kama La Mackerel uses her poetry to find new languages of love with which to repair the severed relationships of her family and her ancestries. Oscillating like waves between ocean & island, past & present, childhood & adulthood, rage & forgiveness, family history & colonial history, My Body Is the Ocean is a painful yet celebratory journey into a trans femme identity that refuses to be defined and confined to colonial gender narratives. Wendy Whaley received an MFA in Interdisciplinary Art Media and Design from OCADU in 2018 where she originally graduated from New Media / Integrated Media in 1996. Wendy has spent the past 20 years in the visual effects end of the film industry where she has worked at some of the top companies, including IMAX, Digital Domain, Cinesite UK, Relativity Media and many others.<br><br>Ayanna Blackwas a fierce defender of Black Canadian culture and its production and dissemination. She believed we as Black Canadians have stories to tell about ourselves and relentlessly created spaces in which we could celebrate our joys. Although eyewitness accounts cite black, trans activist Marsha P. Johnson as the instigator of the riot, the trailer for Stonewall seems to give a fictional, white, cisgender character named Danny with a key role in starting the riots. UN/FREEZE is a 3-D installation that Kama La Mackerel created in November 2016 through an interactive 3-hour durational performance piece.<br>Honesty Is Dangerous Policy<br>In 2008, Kama moved to Canada where they completed an MA in Theory, Culture and Politics at Trent University while training in physical theatre with Theatre Korzenie. My life’s work emerges from a concern for justice and an imperative to heal from colonial pasts. I reimagine and reformulate languages of the self in order to offer "a countermemory, for the future" .<br>They often use their social media platforms to criticize transphobic elements of modern feminism and encourage acceptance of gender nonconformity.Amber was previously employed as Programme Coordinator for Turtle Island Conservation at the Toronto Zoo where her work was focused on community outreach and education, and integrating traditional and western science in her approach to conservation and stewardship.The cities I chose are Beirut, Saida and Trablous in Lebanon, Rhodes, Thessaloniki and Corfu in Greece, Larnaka in Cyprus and Shkoder and Durres in Albania.Occupy Spacetaps into other-worldly imaginaries to address the social reality of Canadian diversity.It snowballed from there, and I eventually started doing presentations and going into churches where they didn’t want to talk about sex or AIDS or anything, especially in the Bible Belt.'
] |